Thanks for nothing Robert Louis Stevenson! You know how many
times I’ve had to put up with a variation of a Jekyll and Hyde joke ever since
primary school? Well, do you? No, neither do I… but it’s a LOT. What always
amuses me is that most people assume, because he has the stranger name, that
Jekyll is the evil one. Us Hyde’s know better, much better. Cue evil
laughter...
Seriously though, this is testament to the enduring
popularity of the novella ‘Strange Case of Dr. Jekyll and Mr. Hyde’ first
published in 1886. Many adaptations have appeared since as we remain fascinated
by the duality of a man who can embody both evil and goodness and what might
happen if we acted on our basest instincts.
This brings us to the Kalamunda Dramatic Society’s latest
production.
The respected Doctor Jekyll (Keith Scrivens) laments a life
lacking in adventure while talking with colleague, Hastie Lanyon (Gareth
Sambridge), and lawyer Gabriel Utterson (John Bevan). They would like to think
of themselves as the Three Musketeers but grey hair and beige realities betray them. Jekyll has published a paper including details of a formula he believes
can unlock the primal inner being of a person. This is met with universal
derision. Utterson’s nephew, Richard Enfield (Adrian Roberts) arrives to
introduce his fiancé from America, Helen O’Neill (Nicola Chapman) and Jekyll
takes quite the shine to her especially as she has read everything he has
written.
Later Jekyll uses the name Edward Hyde to check on a working
girl in a house of ill repute who had turned her ankle. He ends up seeing the
much sought after Cybel (Jodie Hansen) but cannot ‘seal the deal’ as he
diagnoses her with bronchitis and urges her to rest instead. In response to
this ‘failure’ he injects himself with his formula for the first time and the
brute, Hyde, comes into being with tragic results, most notably for Enfield who
frequents the brothel, betraying Helen’s trust; and Lanyon who becomes an
unwary accomplice.
Then there is the Maid (Kate O’Sullivan) and the Butler
(Stuart Porter) both of whom add a critical dimension of wicked mischievousness
as they comment on proceedings and even cajole the other characters at times.
Not only that but O’Sullivan and Porter play a variety of other roles as
required with a diverse set of accents, from Jekyll’s personal servants, to
employees of the house of ill repute to, amusingly, police officers on the
trail of Hyde as the body count rises.
They also do all the scene changes involving two large,
black boxes that are used to represent desks or a laboratory bench or a bed in
the brothel; wooden chairs; and, of course, pointing out where the doors are, a
running gag that just when you think is flagging has a nice, final payoff. This
means the transitions are seamless because the two of them are giving us
information while in the process and it’s all very droll and engaging.
O’Sullivan and Porter are both standouts and threaten to steal the show.
Scrivens is very good as the increasingly frustrated Jekyll
and the demonic Hyde with an impressive delineation between the two, helped by
a wig that is possibly the scariest thing in the show. If that thing had moved
of its own accord I was out of there! I joke, but there are a couple of
throwaway lines about the physical transformation and I enjoyed the
tongue-in-cheek tone throughout. Scrivens certainly appears to revel in the
scene chewing intensity of Hyde. The rest of the cast give solid support and
it’s a strong production with a sly awareness of the narrative devices it
deploys.
The first act builds nicely to the inevitable, grisly
conclusion of Jekyll’s transformation into Hyde which begins to occur
unassisted by the formula. I must admit though, the second act suffers when a section is played out in 'flashback' as Utterson, Cybel and Helen
try to unravel the mystery of what is happening. The problem being the audience
is already well ahead of them so we’re waiting for the characters to catch up
before the final confrontation (amusingly announced as ‘the final scene’ by the
Maid and Butler) in Jekyll’s laboratory. This tends to rob the show of some momentum
and also sees Jekyll/Hyde sidelined as we switch to a lot more exposition as
the conclusion slowly dawns upon them that Jekyll is Hyde. The outcome of the final scene
has been well set up but somehow felt a little anti-climactic.
All in all though, I really enjoyed this production, especially
its sly sense of humour. Directed by Timothy Edwards and Michael McAllan, The
Strange Case of Dr. Jekyll and Mr. Hyde is on until the 31st of May at the Town Square Theatre in Kalamunda.
Any thoughts on Justin Stevens in Dad's Army, a KADS production, from about 4-5years ago? I'm trying to find a dvd of the production without any luck!
ReplyDeleteAlas, I did not see that production...
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