This was the first of a double bill of new plays at the
Studio Underground under the moniker Loaded, the other being Tonsils +
Tweezers. Both were written by outstanding local playwrights; featured WAAPA
graduates making their professional theatre debuts; and focussed on the all too
real contemporary issue of gun violence.
In Girl Shut Your Mouth, playwright Gita Bezard creates a
world of indeterminate location where four teenage girls live in fear of their
life. One, Darcy, has been the victim of an acid attack; another, Katie, has
survived a shooting with the bullet still lodged in her spine. This fact
seemingly gives her the ability to leave this horrid place and go somewhere
else where she will be welcomed and able to do whatever she likes free of fear.
Except that Darcy believes instead Katie will be ostracised and treated poorly.
That doesn’t stop Grace and Mia wanting to get their ‘own bullet’ so they too
can leave.
Firstly, the acting here is excellent. Shalom Brune-Franklin
(Grace), Brittany Morel (Darcy), Stephanie Panozzo (Mia), and Jessica Paterson
(Katie) all graduated from the same WAAPA class in November last year. The
three years they spent together shows in the natural chemistry of their
interactions, whether it be playful, taunting, or full on drama. Each has a
moment to shine though Paterson is the presumptive lead as the more dominant
Katie. The power dynamics within the group are fascinating with Morel’s Darcy
the seemingly meek outsider; Brune-Franklin’s Grace the capable ‘lieutenant’ of
sorts; and Panozzo’s Mia the one that tilts that whole hierarchy on its head
with a decision that escalates matters into truly dangerous territory. That
escalation sees Paterson’s Katie react in telling fashion as the façade of
bluster and nonchalance is ripped away.
Those dynamics are enhanced by the set – in effect a big ‘playpen’
is created for these 16 year old characters to cavort in. The raised sides
allow positions of dominance while the floor of the pen is used to put
characters in a position of submissiveness. There is outstanding use of
lighting to elevate dramatic moments through use of silhouette and to delineate
flashback sequences to Katie’s shooting. The sound design aids in these distinct
sequences as well.
Image by Daniel James Grant |
However, while I understood the analogies – I took the here
and now to be somewhere such as Syria; the other place free of fear to be Australia;
and the shed with the blankets the dog gave birth on that Darcy thinks will be
Katie’s true destination, to be a detention centre – the act of ‘getting your
bullet’ seemed so extreme even in the logic of the world that was created as to
be somewhat distancing. The high risk stakes of planning to get shot but not
die only to prove your ‘credentials’ to enter the ‘other place’ I guess could
be analogous to undertaking the dangerous passage by sea to a new world free of
persecution.
I suspect the issue was that we never saw that other world
in the context of the play to understand its magnetic lure; nor did we really
see the horror of their present world. Both of those things were mainly only
talked about and not experienced. Even the flashbacks to Katie’s shooting were
more an exercise is exaggeration or shrugged off which diluted their impact.
Having said that, it is a provocative premise and one that
will sponsor debate given the extreme nature of what these teenagers propose to
escape the horror of their daily lives. Very well acted and staged, Girl Shut
Your Mouth is on at the State Theatre Centre in the Studio Underground along
with Tonsils + Tweezers until 7 February. It is written by Gita Bezard,
directed by Jeffrey Jay Fowler and stars Shalom Brune-Franklin, Brittany Morel,
Stephanie Panozzo, and Jessica Paterson.
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