Showing posts with label La Soiree. Show all posts
Showing posts with label La Soiree. Show all posts

Sunday, 24 December 2017

Top Ten Theatre Productions in 2017 - Musicals & Cabaret

I was almost tempted to expand this category to include concerts. I decided against it but I would like to acknowledge the two shows that prompted the thought. Those are Megan Washington’s excellent concert at the Geoff Gibbs Theatre with the WAAPA Jazz students; and the 30 Year Anniversary Concert by Defying Gravity which was equally memorable.

This year I had the pleasure of seeing two of the top ten shows with my parents – one was their Christmas gift; the other for Mum’s birthday. Glad I chose well! There was one musical that didn’t make the list but that’s because it’s still a first draft script. Yet Summer of Our Lives by Tyler Jacob Jones and Robert Woods promises to one day live up to their enormous talent in the comedy musical field. The reading/singing as part of Black Swan State Theatre Company's Emerging Writers Group was very good indeed.

But without further ado, here are the shows that did make the list…

1. La Soiree – La Soiree Australia

Captain Frodo and the English Gents are the leaders of a super-hero ensemble that would whip The Avengers anytime, anywhere, in any Spiegeltent you care to name. With new acts added to the already impressive roster this is world class cabaret fare that returns as my number one show for the year.

“The show is perhaps at its best when it goes vertical - McCann's poledance routine is fast becoming legendary; aerialist Katharine Arnold was stunning on the rope in more ways than one; Bret Pfister is coolly efficient and precise on the suspended hoop; and the English Gents reign supreme, this time with a new tower of strength to accompany McCann.”


2. Best Bits – WAAPA

It’s unusual for a retrospective show to make it this high on an annual best of list. However, I did not laugh harder or for longer all year than I did during this generous two hour revue of the graduating musical theatre students’ time at WAAPA.

“It is the usual custom for the graduating students to 'take the piss' out of their major 2nd and 3rd year productions during Best Bits. But this cohort has many gifted comic performers and as a collective they have impeccable timing and mischievous sense of humour. The send-ups of Rent, Heathers, 42nd Street, and Chicago were exceptional…”


3. Once We Lived Here – The Blue Room Theatre & Western Sky Theatre

The aim of Western Sky Theatre to mount shows for performers with WA connections to return to Perth for is laudable. The fact that director Andrew Baker was able to wrangle a quality cast and crew to put on such an exceptional show in only three weeks is nothing short of a miracle. To do so in The Blue Room Theatre was another first. Quality all round.

“There is a truthfulness here that is commendable and while emotionally fraught, resonates with authenticity. There are no easy victories, no glib story beats. This heightens the joy we experience when these characters find even the smallest moment of happiness or deliver the briefest of smiles. The humour is distinctively Australian, at times laugh out loud hilarious, and a coping mechanism for the ever present harsh realities of country life.”


4. 42nd Street – WAAPA

WAAPA’s mid-year musical at the Regal Theatre has become a must-see for musical theatre fans. The last two years have featured more contemporary productions catering to a younger audience. This year though WAAPA changed course and reverted to an old style classic and toes couldn’t have been tapping any faster with joy.

“There is perhaps nothing more exhilarating at the theatre than witnessing a mass tapdancing routine. I confess I'm sucker for it and here you don't get one, or two, or three, you get several tightly choreographed explosions of movement, colour and straight up, unabashed enthusiasm. It's a joy to watch.”

5. The Threepenny Opera – WAAPA


The Edith Spiegeltent. A legendary show that is the forebear of the modern musical. A vintage combination for any musical theatre performer. ‘Hold my beer’ as the meme says these days as the graduating acting students decided to muscle in on the MT’s turf like a gang of Macheath’s vagabonds. And the results were wonderful.

“Initially I had thought the prototypical musical was an odd choice for the acting cohort given the vocal demands, but it turns out be an inspired one. It suits the group personality of this graduating class like a 'fancy glove'. As one audience member put it after the show, "they owned the space".

6. Singin’ in the Rain – Crown Theatre


Speaking of legendary, the stage adaptation of the movie classic – I’m not going to say it, I’m definitely not going to say it made a spl-- was another old-fashioned style show that was aided immensely by the irrepressible performance of Jack Chambers as Cosmo Brown and the technical feat of staging the famous title number.

“Jack Chambers… stole the show in a brilliant comic performance as Cosmo Brown. It was a thrill to also see recent WAAPA graduate Lyndon Watts crush his feature number Beautiful Girl. The orchestra was exceptional.”

7. Wrong Direction presented by Christopher Dean


A glorious pisstake of the boyband phenomenon undertaken with great style and mischievous intent. The talent on display was top notch as a couple of straight forward covers amply demonstrated. It was the deliciously wicked original songs, however, that had the audience amped up for more in the intimate Ellington space.

“This is a high energy, full on parody, raunchy as all get out explosion of boy band harmonies, dance moves, and unforgettable lyrics. Trust me, there are lyrics you will never forget.”

8. Heathers the Musical – WAAPA

Another stage adaptation, this time of a movie cult classic that is gloriously perverse in its own right. A high energy rock musical score along with several over-the-top characters and an explosive ending made this a fun first up outing in 2017 for the graduating class.

“It's dark subject matter but the surface level presentation is infectious rock music with subversive lyrics; a riot of colour in staging, lighting, costuming, and rear screen projections; and exuberant choreography befitting the age of its characters. It's a fun show with energy and black humour to burn.”


9. Chicago – Koorliny Arts Centre

Bringing all the sass and sexiness, Koorliny started their year with a rollicking version of the Kander & Ebb classic. Opening out the wings and having the full orchestra along the back wall made this a visual and aural delight with a fabulous performance by Elethea Sartorelli as Velma.

“It's fair to say Kander & Ebb's classic is one of my favourite musicals - great songs, great music, sexy, slinky and sassy with that other musical theatre giant Bob Fosse adding his unmistakable stamp. It's a pleasure to report then that today's sold out matinee was a real treat and a fine start to Koorliny's community theatre season.”

10. Bloody Bloody Andrew Jackson – WAAPA

The second years debuted in their first standalone musical with this quirky exploration of a notorious American president. Jackson, portrayed more as a rock star than a politician, was played with great swagger by Jarrod Griffiths in a full-on performance.

“The show started to click for me during the number Illness As Metaphor where Jackson (Jarrod Griffiths) and his soon to be wife Rachel (Stacey Thomsett) cut and bleed each other as a demonstration of their love. It's a metaphor, get it? From then on I settled into the, more often than not, outrageous retelling of Jackson's life and political career.”

Female Performer of the Year – Mackenzie Dunn


Dunn showcased true triple threat talent as the lead in 42nd Street, singing, dancing, and acting her way to deserved accolades. It was a notably assured performance at a large venue that augurs well for her future. Not only that, Dunn was memorable in Heathers the Musical as Ms Fleming and one of the leading conspirators in the hilarity of Best Bits.

Male Performer of the Year – Jack Chambers

A tour de force comic performance in Singin’ in the Rain was eye catching to say the least. Exceptional physical comedy, timing, and sheer chutzpah made Chambers a clear crowd favourite and driving force of this stage adaptation of a legendary movie.

Special Mentions:

Taryn Ryan

Ryan’s performance in Once We Lived Here grounded the whole production and, most impressively, she handled the emotional range required in the fractured timeline narrative expertly. It’s also a delight to hear Ryan sing after several non-musical roles this year.

Wrong Direction

The faux boyband made up of Chris Wilcox, Jason Arrow, Cameron Steens, and Ben Gillespie in their Perth iteration. All with incredible voices that led to the kind of harmonies you would expect… but not the lyrics you would normally sing along to! Great stage presence and knew how to work a crowd.

Elethea Sartorelli

Set the tone for Chicago right from the get go with the cast and orchestra following her lead. Had several excellent set piece scenes and a highlight with fellow recent Finley Award winner Rachel Monamy in their duet of Class.

Monique Warren

An energetic and feisty performance in Heathers the Musical where Warren sang superbly and looked fabulous in the colourful costuming as she played the role made famous by Winona Ryder in the movie.

Jarrod Griffiths

Brought plenty of attitude and swagger to the role of Andrew Jackson and was hardly ever off stage in a full-throated performance. Sang the rock style numbers well and displayed good acting chops especially when the show took an infrequent serious interlude.

That’s it for another year. Thank you to everyone who made these and all the many other shows come to life. Have a great festive season and see you as a professional audience member next year!

Friday, 17 February 2017

Top Five Shows - Fringe World 2017

That's me done for Fringe for another year. A relaxed and entertaining run of 17 shows that I enjoyed very much. Thank you to all the performers, musicians, and the raft of people behind the scenes making it all work so smoothly.

Now, as anyone who follows me knows, I like a good list so here are my Top 5 shows and some notable contributors...

1. LA SOIREE - Led by Captain Frodo and The English Gents with a plethora of superhuman individuals this is like The Avengers of Fringe shows.

2. THE ONE BY JEFFREY JAY FOWLER - My tip for the Martin Sims Award for best local production.

3. WHEN HE GETS THAT WAY - The unexpected gem of my festival experience with a cracking script and a duo of great performances.

4. WRONG DIRECTION - The raucous boy band pisstake that was so wrong it was oh so right.

5. A HOT HARLEM ROMP - Powered by a white hot jazz band this had style to burn.

There were many fine performances but a few in particular that caught my eye...

GEORGIA KING - Terrific in The One playing a woman aghast at the prospect of marriage and all its ramifications.

JEFFREY JAY FOWLER - While I wasn't as big a fan of Price Tag, that play, The One and a reprise of Fag/Stag mark Fowler as a significant writing presence at this year's Fringe.

Special Mentions:

Gabriel Fatin - provided superb accompaniment on piano in the classy Minor Major Marlene.

Lisa Louttit - a wonderfully calibrated comic performance in When He Gets That Way.

Lucy Ross - her rendition of Amazing Grace alone blew the doors off The Brisbane in her very funny musical Guess Who's Coming To Dinner.

Kimberley Harris (as Kimberley Diane) - excelled in a thoroughly charming one person show about chasing your dreams.

Mark Storen - added significant musical chops in The One as well as being a terrific counterpoint to King.

*originally published at facebook.com/perththeatrereviews

Wednesday, 8 February 2017

Fringe World 2017 - Spiegeltent Spectaculars (8 & 12 February 2017)

A Hot Harlem Romp - Perth Cabaret Collective (8 February 2017)

A white hot nine piece band under the command of Jessica Herbert; the irrepressible Jessie Gordon on vocals and sequins with partner in crime the suave 'don't ask me to dance' Mark Turner; joined by performers from Sugar Blue Burlesque adding pizzaz and plumage, this is slinky, sexy, sassy, saxy, bright and brassy.

Watching this in the De Parel Spiegeltent was like stepping into a Speakeasy and it's no wonder songs from Cabaret and Chicago featured.

This whizzed by, indeed it ended a little abruptly at the 50 minute mark. I could have settled in for an evening of 'jazz and liquor' in this thigh slapping, toe tapping romp. A great way to kick off an evening at Fringe.

La Soiree - La Soiree Australia (12 February 2017)

Warning, superlatives ahead.

Last year I was comp'd to review this Fringe World behemoth. I was so impressed that this year I bought 'posh seat' tickets to take mum and dad along for mum's birthday.

Favourites Captain Frodo and Hamish McCann remain to be joined by a bevy of new acts with some truly spectacular inclusions. We had great seats, the service was excellent, and the show was yet again amazing.

La Soiree is a jaw dropping mixture of grace, power, strength and precision with a liberal addition of hijinks and tomfoolery.

The show is perhaps at its best when it goes vertical - McCann's poledance routine is fast becoming legendary; aerialist Katharine Arnold was stunning on the rope in more ways than one; Bret Pfister is coolly efficient and precise on the suspended hoop; and the English Gents reign supreme, this time with a new tower of strength to accompany McCann.

Frodo is the wince inducing contortionist and clown supreme with chanteuse Acantha Lang adding pipes and legs forever. There are other surprises involving bananas and, let's just say, quick costume changes though Scotty the Blue Bunny was a weak link.

The show ends with the gasp worthy Leo & Ursula who add a shot of adrenaline with an act on rollerskates that has to be seen to be believed.

*originally published at facebook.com/perththeatrereviews

Sunday, 21 February 2016

Top Ten Shows - Fringe World 2016

I do love a good list and while it is impossible for one reviewer to see anything but a fraction of the 700+ strong programme this is as good an excuse as any. I ended up seeing 32 Fringe shows – 27 that I was comp’d to review, 4 as a paying audience member, and 1 that was also an adjudication for the Finley Awards (and therefore can’t be considered here).

The overall standard was very high and there are a couple of shows that were desperately unlucky not to make the final list. I also had a shortlist of some 17 performers for 7 slots so that proved a difficult decision to whittle down as well.

My greatest impression from this year’s Fringe is the absolute value of storytelling skill. The ability to craft an engaging tale and execute it well is priceless. You know it when you see it; you feel its absence when it’s not quite there. This list is testament to that skill.

Here is my Top Ten:

This was a true spectacle that combined world class entertainers with unbelievable feats of athleticism.

"I felt like a young boy again sitting in wide-eyed wonder as my brain tried to comprehend what my eyes were seeing. Thankfully my hands retained the ability to clap non-stop while the vocal chords hollered on their own accord. My grey matter lurched at the sheer improbability of feats I couldn’t even dream were humanly possible."

2. 17 Border Crossings - Lucidity Suitcase Intercontinental
Thaddeus Phillips exhibited tremendous storytelling ability with exceptional stagecraft. Enthralling.

3. The Great Ridolphi - The Last Great Hunt
Beautifully crafted script, cleverly staged, and supremely acted by Steve Turner.

4. Bx - Becc Sanderson
Nostalgia may have led me to buy a ticket but the performance itself was testament to Sanderson's potent vocal ability 27 years on from those early days of The Sweet Blue Midnights. 

The award winning creative team of Tyler Jacob Jones and Robert Woods present their raunchiest concoction yet.

"This is raunchy, laugh out loud funny, and performed with verve and chutzpah. There’s also a touch of pathos to ground the shenanigans but ultimately you’ll know in your heart that love truly is the driving force in the universe."  

A riotous and impressive demonstration of an ensemble cast totally in tune with each other and the musical theatre form.

"One of the beauties of Impromptunes is that no two shows will ever be alike. It’s the genius of the premise that sees a completely self contained one hour musical performed every night. Not even the cast know what’s going to happen or even what the topic is going to be."

The second play in the Loaded double bill, this showcased writer-director Will O'Mahony's adeptness with cracking dialogue and a few surprises along the way.

"O’Mahony’s dialogue is exceptional and he clearly has a love for language, words and wordplay. It all races towards a surprising conclusion that is cathartic for both the eponymous duo and, dare I say it, the audience."

An originally written musical with an impressive score and ambitious book that featured several current WAAPA students and alumni.

"... this was a mature and accomplished piece of musical theatre with an excellent score and well delivered songs that had some great moments of genuinely affecting dramatic acting."

Another originally written musical that had been reworked from its 2013 debut at UWA. It is very heartening to see two locally originated musicals do so well at Fringe.

"Plaudits go to Messrs. Griggs, Owen and Silberstein on continuing to develop this 90 minute, one act musical. It’s a devilishly tricky form to get right and this is an enjoyable production that showcases great potential for future endeavours. A recommended addition to the local music theatre scene." 

A total sleeper that came out of nowhere for me. This was stitch inducing funny and McKenzie had such a naturally engaging ability as a spinner of hilarious yarns.

"All of these stories were told with such flair and great comic sensibility. There was a poignant moment at the end that circles back to his father that was touching and funny. This was an excellent way to end the night and the venue was perfect as an intimate setting for McKenzie to work in."

Male Performer of Fringe - Thaddeus Phillips
Excelled in all facets of a multi-layered one man show (17 Border Crossings) that was funny, engaging, thought provoking and showcased impressive stagecraft.

Female Performer of Fringe - Amy Russotti 
I had not come across Russotti before but her performance as the dowdy Amy and especially her alter-ego Dr. Felicity Rickshaw was a comic tour de force.  

Special Mentions:

Lincoln Vickery - gave an assured and likable performance in Tonsils + Tweezers delivering O'Mahony's rat-tat-tat dialogue with relish.

Becc Sanderson - if nothing else her Cry Me A River was one of the highlights of Fringe. Hopefully she'll be back in Perth soon. 

Olivia Everett - has a real knack for playing comic tinged characters and in Viva La Restoration she shone as the lead. 

Steve Turner - the local answer to Thaddeus Phillips with a wonderful showing in The Great Ridolphi that was beautifully nuanced.

Andre Drysdale - a complete revelation in Sincerely Yours with his acting ability matching his vocal talent to impressive effect. 

So there it is. Another Fringe World for me done and dusted. Thank you to all the performers, publicists and producers who contacted me and provided tickets. Apologies to those I couldn't squeeze in. The earlier the notice the better! 

Monday, 25 January 2016

La Soiree - Fringe World 2016 (24 January 2016)

The human body.

Perfect. Beautiful. Powerful. Strong. Supple. Lithe. Flexible. Sexy. Erotic. Mesmerising.

In a show of jaw dropping brilliance there was one unmistakeable conclusion – not only is this troupe comprised of superb entertainers but they also count among their number world class athletes.

From the strength and control of the English Gents Denis Lock and Hamish McCann to the lithesome dexterity of hula hoop artiste extraordinaire Satya;

From the smouldering acrobatics of Yammel Rodriguez (I’m coming to you Mooky... just hold on a sec) to the graceful precision of Bret Pfister on a suspended hoop;

Even to what some may consider the imperfection of the double-jointed, easily dislocated limbs of contortionist Captain Frodo;

The human form is featured in a celebration of untold, unimaginable hours of training, discipline, commitment, and exceptional skill.

The results are awe inspiring and breathtaking.

Not to be outdone, the troupe mixes up feats of supreme athleticism and grace with the soaring vocals of Miss Frisky; the showmanship of Clarke McFarlane’s Freddy Mercury worshipping Mario; and – wait for it – the acting ability of possibly the greatest living thespian ever to grace a Spiegeltent, Mooky Cornish.   

Wrangled together by Creative Producer and Host Brett Haylock this two hour extravaganza moves from one unforgettable act to another with such energy, pizazz and good humour that you can’t help but be simply enthralled.

I felt like a young boy again sitting in wide-eyed wonder as my brain tried to comprehend what my eyes were seeing. Thankfully my hands retained the ability to clap non-stop while the vocal chords hollered on their own accord. My grey matter lurched at the sheer improbability of feats I couldn’t even dream were humanly possible.

I have to tell you, there were also moments that were as sexy as all get out. Yammel’s act on a single strap while casually smoking a cigar with attitude to burn was incandescent. Hamish McCann’s pole-dancing routine was equally as hypnotic.

I boisterously sang along to Queen hits and even a classic from West Side Story. I grimaced as Captain Frodo somehow managed to fit his entire body through not one but two tennis rackets (I’ll never be able to watch the Australian Open or Wimbledon the same way ever again). I roared with laughter at Mario's and Mooky’s haphazard antics.

I listened in awe to Frisky’s haunting vocals. I gazed upwards as acts gyrated and cavorted above me. I squirmed as audience members were invited onstage terrified I might be one of them.

If theatre is a shared experience where we are moved, entertained, surprised and astounded then La Soiree is right up there among the very best on offer anywhere. I was so jazzed after the show I simply couldn’t sleep for hours.

Lastly, there was a new act that had been incorporated – one that reminded me of the scene from American Beauty with the plastic bag that dances in the wind - bubble blowing. An act performed by Denis Lock with understated English wit and delicacy whereas earlier he had been a rippling tower of phenomenal strength. The shapes he created and infused with smoke from his pipe were as ephemeral as they were astonishingly beautiful.

La Soiree indeed reminds us that there is so much beauty in the world.   

The two hour show is on at the Spiegeltent in the Museum Gardens until 6 March. Beg, borrow, steal to get a ticket.