There I was enjoying a cider at the upstairs bar talking to
some local theatre luminaries when an innocuous question floats across the
conversation, “what did you think of the production?” As you’re about to
discover, I was quite impressed by the show and said so. Then it hits me, the
person who has introduced themselves only as Sarah is… the writer of said play?
Indeed she is. We then proceed to have a fabulous discussion including a
‘deleted scene’ re-enactment, the history of a beautifully written and
performed sequence that nearly didn’t make the play, and a wonderfully awkward
screenwriter-talking-to-first-time-playwright miscommunication over jargon, the
gist of which was about how carefully constructed Giving Up The Ghosts is.
That writer, Sarah Young, is also a stand-up comedian so it
was a thoroughly entertaining and interesting discussion, especially when the
real life inspiration for one of the characters is briefly introduced and I
discover that the stage manager is possibly on a one way trip to Mars (yes,
really!). It pays to be a “straggler” (as Sarah put it) at the bar after a show
at the Blue Room.
To the play itself - two people meet for the first time by a
disused factory near the woods in the middle of the night. They have connected
over the internet and have a terrible, shared purpose in mind. The 35 year old
woman is Ruth is all wide-eyed, nervous agitation as she waits for seemingly
affable truckie Steve to arrive. She has the chemicals and he has the duct tape
to make sure the car is airtight.
What follows is a deftly written and performed character
piece that has clearly defined ‘movements’ that inform tone and provide the
context for the pairs’ interaction. There is the awkward phase as the two meet;
a light comic sequence as they are interrupted by amorous youngsters with other
things on their mind; a revelatory strand as the reasons for their separate decisions
to be at this place bubble to the surface; and then the final sequence that
exposes the ‘ghosts’ these two can no longer carry with them which is harrowing
yet beautifully handled.
I said to Sarah I was intrigued how she was going to ‘stick
the landing’ as it had to be handled sensitively given the undeniably dark
subject matter but truthful to the characters that had been so expertly crafted
and rendered. She and the actors, Georgia King and Paul Grabovac, thread that
needle beautifully to bring a powerful piece of theatre to conclusion as the
lights fade on these two damaged souls.
The set is very simple – a stylised ‘tree’ in one corner
with two battered car seats centre stage and leaves scattered across the floor.
What is really impressive is the rhythm of the play. The use of silence,
awkward pauses and moments of reflection add much to the credibility and
seriousness of the situation and the character’s understanding of what they
intend. But there is humour and humanity here that elevates the whole
endeavour.
When I was talking about ‘movements’ Sarah indicated she
approached it as if someone was on death row - last meal, last words, last
rites - and you can see this in conversations and actions throughout. But there
is so much subtlety – Georgia King’s Ruth initially will not let Steve anywhere
close let alone touch her so those brief moments of physical contact and who
initiates them are critical as their relationship slowly changes. Likewise,
when she tells a lame story and later a ‘joke’ they are pivotal character
moments. Grabovac’s response is telling as the joke is exposed and doubts
encroach. They both play off each other so well and their character’s traits
and reasons for being there are expertly conveyed.
It really is an impressive
fusion of intelligent writing and subtle performance. A telling factor is that
this felt much longer than its 56 minute running time which is a testament to
how well the writing, acting and the understated direction holds up – it never
wanes, never loses your attention, indeed it is enthralling throughout.
Written by Sarah Young, Directed by Joe Lui and starring
Georgia King and Paul Grabovac, Giving Up The Ghosts finishes at The Blue Room
Theatre this Saturday, 12 July.
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