Back in a time before digital music downloads there used to
be something called an ‘album’. This was a collection of songs played in a
pre-determined order. Quaint, I know! This led to what was known as the
Greatest Hits album where the best songs of a band or artist over their career were
brought together onto the one record. Or what young people today call a ‘playlist’. Usually, to
release a greatest hits album, you’d have to have a sustained period of
success…
How audacious then for Messrs Jones and Woods to put
together a showcase of their ‘greatest hits’ for two performances only at the
Hackett Hall in Floreat. Billed as The Jones/Woods Holiday Special the evening
was a collection of original musical theatre songs written by Tyler Jacob Jones
and Robert Woods and performed by them with a little help from their friends. Except
audacious is a perfect word to describe this duo and they have both the talent
and material to more than pull off such an evening. In fact it was a stunning
and hilarious night that had the audience stomping and clapping in approval.
I was fortunate enough to see the final show of Point and Shoot at this year’s Fringe Festival, a musical that deservedly won the Artrage Theatre Award for Best Theatre Production and the coveted Martin Sims Award for Best New Western Australian Work. They had taken out the Artrage award the year before for
Falling to the Top, a musical featuring The Divalettes, a group on the comeback
trail with their appearance here (a chapter that will surely make its way into
the annals of pop music history). I had also been impressed with Jones’ Finley
Award nominated role as the lead in the musical Curtains as this very venue
last year. It’s fair to say my expectations going in were high. It’s also fair
to say they easily cleared that bar.
Three things that immediately struck me during this show –
the showmanship on display (the chemistry between Jones and Woods is impressive
as they introduced each segment, bantered, mock-argued, made-up and, at times,
genuinely amused each other); the brilliance of the songs which are smart,
incisive, clever, and outright funny; the absolute affection they have for not
only musical theatre but also - and this was what I didn’t know but should have
guessed at from Point and Shoot - feature films. There is a perfect fusion here
between those two passions – film and musical theatre – and it’s a potent mix.
This was highlighted with a punctuation point in the closing
section of the evening when they presented a new, short piece Gravity the
Musical, a film Woods described as the greatest ever and bemoaned the fact it
didn’t win the Best Picture Oscar. Brianna Williams gave a pitch perfect
performance as ‘Sandy’ with St John Crowder as ‘George’ and Jones himself as
the third astronaut whose name nobody remembers and, donned in a blonde wig,
Sandy’s daughter. The lyrics here are so incisive as they lovingly pay homage
to the film but also mock it mercilessly (the lack of ‘Sandy’s back story other
than she had a daughter… who died; and the massed company imploring Sandy that “she can do it” satirising the
film’s ropey second act turning point). This is a Fringe Festival show and lawsuit
waiting to happen. But, oh my, it was jaw-achingly funny.
There were so many other highlights as the duo presented
their back catalogue – a Japanese version of Lookamalips from Falling to the
Top performed by kimono-clad Ichina Parker while The Divalettes looked on
unimpressed; Jones singing the witty You’ll Do from Zombie Girlfriend, and an
aching lament to Ashley Judd for never winning an Oscar; a roaring 80’s style
pisstake, One Heart, from the duo’s Moviefest Extra entry Dragon Conquest,
belted out by Ann-Marie Biagoni with a little help from Robert Woods and an
over-the-top dual saxophone solo that was hilariously on point; the wistful
Absolute Perfection from Point and Shoot which is perhaps my favourite of their
songs, beautifully sung by Tamara Woolrych; You’re Insane from Robert Woods’
solo musical theatre exploit, Delicious House, featuring Timothy How and Tamara
Woolrych; Paul Spencer’s rendition of Astronaut as a rhyme-challenged Woodsman;
and Woods singing an excerpt from Jones’ Year 12 essay on the film American
Beauty chosen at random by an audience member.
Phoebe Jackson was featured in two numbers, I Want To Fly (from
undoubtedly the definitive Peter Pan adaptation) and Awful Folk from The
Amberly Show. The Divalettes (Breeahn Jones, Kimberley Harris, Mariaelena
Velletri and Claire Taylor) also had their moment to shine with a sassy reprise
of Lookamalips. The ensemble from Point and Shoot (Jones, Woods, Woolrych and a
wonderfully zany Erin Hutchinson) ran through four songs from that show and
perhaps the biggest applause of the night was for youngster Rhylan Bush who
played Captain Hook in I Want to Fly. David Gray rounded out the ensemble with vocal support on numbers such as the deliciously black Zombie Girlfriend and, if I'm not mistaken, was on keyboards at one point.
This company of talented performers clearly relished working
with such quality material and, again, there was real chemistry between them
all. The fact that the show was put together with something like only three
weeks rehearsal time is testament to their abilities. The audience response was
as enthusiastic as anything I’ve seen in Perth – foot stomping intensity in
fact!
Robert Woods and Tyler Jacob Jones are a duo to watch. They are touring the
eastern states in a couple of months and I expect that they will break and
break big – there is too much creativity, invention, and sheer chutzpah for
them not to. On the evidence of this fabulous showcase theirs are names we’ll
be hearing a lot of in the future.
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