Ah, yes, The Last Five Years, the Memento of Musicals where
a couple fall in then out of love; the man telling his story in normal
chronological order, the woman is reverse chronological order with their
timelines only crossing in the middle at their wedding. Sammy Jankis would be
proud.
In honour of this conceit let me introduce our reviewers for
this production:
A struggling screenwriter in a Hicksville town who has
dreams of hitting the big time, called Richar—um, Jeremy; and
An aspiring theatre critic, the author of a little seen
blog, who hopes to one day write for The West Australian Arts liftout section,
Richar—um, Rachel.
Richar—um, Rachel: It’s after the show and I’m outside
chatting to the director Craig Griffen who is clutching what promises to be the
first of many alcoholic beverages. He is relieved but effusive in his comments.
I get the lowdown on the wardrobe malfunction that causes an extended musical
interlude before the performer reappears to the delighted applause of a
generous audience. The biggest nugget of information (apart from the one’s I
can’t tell you!) is that Craig deliberately chose to have the characters
interact in certain moments (other than the wedding) to try and move away from
a totally stand and sing style.
Richar—um, Jeremy: I realise I have made a rookie mistake
the moment I sit down. Front row centre is my favoured spot for the theatre but
at the Dolphin Theatre the front row is right up against a (highly) raised
stage. I am peering up at the performers and, at one stage, when Eimear Foley
sits on the edge of that stage she is only inches away. With her being so close
and miked up, I enact the cone of silence lest my big laugh gets captured.
Thanks also for the spotlight on the back of my follicle-challenged scone! The cricks in my neck will come out soon, no
doubt.
Rachel: The usual congratulations are taking place in the
lobby and I have a fascinating conversation with a performer who has played the
role of Jamie in a staging of this very show a while back. Then it’s a hello
and introduction in person for the first time to the talented musical director
and pianist, Kohan van Sambeeck, who looks pleased but exhausted. Amazingly, there
has been only ONE technical rehearsal before tonight’s opening performance!
Jeremy: So the stage is set up with 5 musicians seated
upstage and the musical director playing piano and conducting from stage right.
There is a table in front of the musicians; a door with stoop stage right; a
small table with chair stage left, and a couple of platforms on either side. The
lighting is fairly rudimentary.
Right off the bat, let me say that this is a beautiful score
and it is played wonderfully well by van Sambeeck on piano, Campbell Ellis
(guitar), Tim Perren (bass guitar), Izurein Sabudin (violin), Beren Scott and
Krista Low, both on cello. Their work is a highlight of the evening.
With only two performers though, this clearly is a showcase
for the vocals. I must admit I thought that Jason Arrow (Jamie) and Eimear
Foley (Cathy) didn’t really get into a rhythm until his ‘Moving Too Fast’ and
her ‘I’m A Part of That’.
Rachel: The show ends with the wonderful ‘Goodbye Until
Tomorrow/I Could Never Rescue You’ where Cathy (Eimear Foley) is at the start
of her journey and is excited to see Jamie (Jason Arrow) again while Jamie,
five years later, is saying goodbye for the final time. The song is perhaps the
best crafted within the conceit of the storytelling and is a poignant and
rousing final number. It is a fitting showcase for both Jason and Eimear.
Jeremy: Oh, hi there. What are you doing?
Rachel: Writing a review.
Jeremy: Hey, me too! What’s yours about?
Rachel: Love, loss and relationships, with singing.
Jeremy: Mine too! Want to compare notes?
Rachel: Sure. I was going to say that it’s a strange musical
in many ways. The fractured timeline narrative, while clear for Jamie, seemed
more muddled for Cathy. The choice to have them interact within their separate
timelines was a little confusing even though I understand the director’s
rationale.
Jeremy: I have seen Jason Arrow perform before in Hairspray
and Cats. He has a big voice but I was curious to see how his acting would hold
up under this sort of scrutiny. As pointed out to me, Jamie could easily be
seen as unsympathetic because it’s his actions that largely cause the breakup
of the relationship. I thought he did pretty well though. Now doing musical
theatre at WAAPA, it will be interesting to see how his acting skills develop
over the journey.
Rachel: I was unfamiliar with Eimear but I see from the
programme that she is also at WAAPA studying Classical Voice and Opera. Some
songs didn’t seem to suit her as well as others but I thought ‘I’m A Part of
That’, ‘A Summer in Ohio’ and ‘Climbing Uphill/Audition Sequence’ as well as
the finale were very strong.
Jeremy: Of course Eimear got to play a little shtick in the
audition sequence which was quite funny.
Rachel: And Jason did a little talking dummy/puppet work with ‘The Schmuel
Song’… though neither reached for the gun.
Jeremy and Rachel: It’s perhaps ‘The Next Ten Minutes’ where
they duet in the middle of the show that is the most satisfying emotionally as
we finally see them fully together both in song and in their relationship.
Jeremy: The show ended to great applause.
Rachel: Does anyone park straight at UWA?
Directed by Craig Griffen with Musical Direction by Kohan
van Sambeeck; Written and Composed by Jason Robert Brown; and starring Jason
Arrow and Eimear Foley; as well as the musical talents of Campbell Ellis, Tim
Perren, Izurein Sabudin, Beren Scott and Krista Low, there is only one more
opportunity to see this show at the Dolphin Theatre at UWA, Saturday evening at 7pm.
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