Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Thursday, 6 April 2017

Megan Washington & WAAPA Jazz Students (6 April 2017)

Before we begin we need to clarify a few things.

1) This was not a gig. This was not a recital. This was a CONCERT. We, the audience, were therefore 'concertgoers' and Megan and the students were 'concert performers'. I thought she explained this very concisely.

2) The aforementioned concertgoers, by overwhelming acclamation, were deemed by Megan to be... "lovely". And so we were. We didn't chat during songs or anything!

3) Not being familiar with the two time ARIA winning singer-songwriter - I'm past the age where I know what an ARIA is let alone who wins them - I discovered over the course of the night that she is a major talent with a fabulous, distinctive voice, engaging stage presence, and a knack for writing songs with smart lyrics and surprising origins (I learnt more about the mating habits of gorillas than I perhaps might have expected). She also wields a mean set of hands on the piano.

4) I further discovered she has a sly sense of humour. Yes, I was "that guy" in the front row. What can I say, you made me laugh. You're welcome!

All this, along with the talented jazz students, instrumentally and vocally, added up to an excellent evening of jazz standards and original songs.

I very much liked that there were different combinations used throughout the roster of 15 songs - a big band combo; a vocal ensemble; two separate band ensembles; and her solo moments on piano. Megan allowed us to see a vibrant personality with that sense of humour, off-beat stories about the creation of a couple of songs, and even a joke to stretch for an instrument change. She is a very expressive performer with physical movement and hands aflutter in Cocker-esque style passion.

Highlights included a stunning acapella rendition of Imogen Heap's Hide and Seek; the first solo number Skeleton Key; and first half closer Fisherman's Daughter with Michael Ellis again impressing on guitar after last month's Bebop. The set following the interval took things up another notch with a most unusual ballad; her original composition How to Tame Lions with the Vocal Ensemble adding real oomph; and a smashing Valerie as the vocals soared and Ensemble 2 cranked up the beat with Chris Musitano featuring on trumpet.

As Megan herself remarked, she only arrived in Perth on Monday and to have such excellent musical backing in that short a time frame and from students no less speaks volumes to their talent. 

Thursday, 16 March 2017

Bebop - Jamie Oehlers and the WAAPA Jazz Students (16 March 2017)

What a way to commence WAAPA's 2017 performance season with the very first public show in the glorious Edith Spiegeltent now on the ECU Mount Lawley campus after its stint as home to La Soiree during Fringe. It is a venue that is fast becoming one of my favourites with an old world charm that is unique in Perth. 

Add a night of bebop jazz by two talented ensembles of students, a cider from the bar to be enjoyed during the show (a first), and good acoustics from my 4th row seat and this was an enjoyable start to the year.

Standouts from Set 1 were Chris Musitano on trumpet and Malachi George on guitar with the highlight being Lover Man, sung by Reece Clark with smooth as 60 year old Scotch style.

Set 2 gave that song a run for its money as the "quintessential bebop tune" with Thelonius Monk's 'Round Midnight featuring Daniel Khaimov on alto saxophone though the latin flavoured Barbados was the highlight for mine. Standouts were Adriane Galante on clarinet and 18 year old Michael Ellis on guitar.

But everyone played well with plenty of solos and engaging introductions by Oehlers and Galante as respective 'emcees' for their sets.

There are far worse things to be doing on a Thursday night than sitting in a venue with atmosphere and history to burn listening to a distinctive style of jazz, drink in hand, marvelling at the talent of the students and that 'old guy' Jamie Oehlers, Senior Lecturer and a mean sax player in his own right.


*originally published at facebook.com/perththeatrereviews